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The latter formed by far the most knavish-looking and unprepossessing portion of the assemblage. E. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. He had not proceeded far when he was alarmed by the tramp of a horse, which seemed to be rapidly approaching, and he had scarcely time to leap the hedge and conceal himself behind a tree, when a tall man, enveloped in an ample cloak, with his hat pulled over his brows, rode by at full speed.

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