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‘Good, good—and not before time,’ muttered Roding, glancing round again. " So Ruth heard about the poets; she became tolerably familiar with the exploits of that engaging ruffian Cellini; she heard of the pathetic deafness of Beethoven; she was thrilled, saddened, exhilarated; and on the evening of the twelfth day she made bold to enter the talk. He stepped out but, rather to his surprise, found Melusine following him. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. John knew better.

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